Wolfgang Amadeus Mozart - Klavierkonzert D-dur Kv 537, Klavierkonzert B-dur Kv 595

  • The Piano Concerto No. 26 in D major, K. 537, was written by Wolfgang Amadeus Mozart on 24 February 1788.The Piano Concerto No. 27 in B major, K. 595, is Wolfgang Amadeus Mozart's last piano concerto; it was first performed in the year of his death.
  • Wolfgang Amadeus Mozart - Klavierkonzert D-dur Kv 537, Klavierkonzert B-dur Kv 595
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Klavierkonzert D-dur Kv 537 - The traditional name associated with this work is not Mozart's own, nor was the work written on the occasion for which posterity has named it. Mozart remarked in a letter to his wife in April 1789 that he had just performed this concerto at court. But the nickname "Coronation" was derived from his playing of the work at the time of the coronation of Leopold II as Holy Roman Emperor in October 1790 in Frankfurt am Main. At the same concert, Mozart also played the Piano Concerto No. 19, K. 459. We know this because when Johann André of Offenbach published the first editions of both concertos in 1794, he identified them on their title pages as being performed on the occasion of Leopold's coronation.

Alan Tyson in his introduction to Dover Publications' facsimile of the autograph score (which today is at the Pierpont Morgan Library in New York) comments that "Although K. 459 has at times been called a 'Coronation' concerto, this title has nearly always been applied to K. 537".

Klavierkonzert B-dur Kv 595 - The manuscript is dated 5 January 1791. However, Alan Tyson's analysis of the paper on which Mozart composed the work indicated that Mozart used this paper between December 1788 and February 1789, which implies composition well before 1791. Simon Keefe has written that the composition of the work dates from 1788. By contrast, Wolfgang Rehm [de] has stated that Mozart composed this concerto in late 1790 and early 1791. Cliff Eisen has discussed the controversy over the time of composition in his review of the published facsimile of the score.

The work is scored for flute, two oboes, two bassoons, two horns, solo piano and strings, which makes it thinner than Mozart's other late concertos, all of which except for No. 23 have trumpet and timpani.

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